Print Magazine Article: Jennifer Sterling is Back!

July 24th, 2011 Comments Off

Thankfully, graphic designers are a bit too nerdy for the paparazzi. But had the snooping press hounds any clue into the talent’s of our industry’s rockstar creatives – Jennifer Sterling surely would have been one of their buzz-worthy targets when she abruptly dropped off the design scene a few years ago.

Read my full article on Print Magazine’s awesome design blog IMPRINT.

Image Courtesy Jennifer Sterling

 

Driven by Design: Vintage Cars

June 19th, 2011 Comments Off

One of my favorite design obsessions is classic cars – which I owe in main part to my Dad for passing down his love for the vintage beauts. This past Saturday, June 18th marked the 10th anniversary of the Tiburon Classic Car Show, and seriously – it just keeps getting better every year. From the sleek lines and sexy curves, to the details, craftsmanship, and old fashioned typographic touches–they just don’t make ‘em like they used to. These crave-worthy cruisers are works of design genius and some of the best at that. Here are some of my favorites…but be forewarned: uncontrollable drooling may occur.

HOW Magazine interview with designers Chip Kidd, Paula Scher, Stefan Sagmeister, and Robynne Raye

May 26th, 2011 Comments Off

I recently spoke with an extremely talented graphic designer who was struggling with a book cover design. She confided, “I’m starting to feel like I suck as a designer because I can’t figure out a solution to this problem.”

“Oh, thank god!” I exclaimed.

She was a bit baffled (and slightly ticked off) at my response until I explained that I literally thought I was the only graphic designer who felt this way. Hours after hours of trying this idea and that idea and still not coming up with a feasible solution feels…well – pretty darn crappy. But now that the, “yeah, I’m not alone!” party is over, the question remains: how exactly do we get rid of this negative self-talk? For help on this matter, I went to the top – the very top: Chip Kidd, Paula Scher, Stefan Sagmeister, and Robynne Raye – to be precise.

Read my full article below or buy the awesome May 2011 HOW MAGAZINE.



Metropolis Magazine interview with Wim Crouwel

May 14th, 2011 Comments Off

Wim Crouwel is one of those hardy souls seemingly immune to self-doubt. That’s easy enough now, with Crouwel’s place as one of graphic design’s most influential practitioners secure. But his groundbreaking work has not always been universally admired, and in the 1970s it elicited strong criticism for being “too modern.” Instead of faltering, however, Crouwel’s belief in his ideas and aesthetics only grew stronger. His highly structured approach to design and typography captured the essence of the emerging computer age, bringing a new modernity to catalogs, posters, stamps, and even the phone book. This spring, the grid-loving Dutch legend is being celebrated with a major retrospective at the Design Museum, in London.

Read my full interview in METROPOLIS MAGAZINE. (and check out the print version below!)

John Patrick McKenzie exhibit: They Are Full of Holy Nonsense

May 11th, 2011 Comments Off

“Sexy people are apple pies.” “One, two, tin …” “Acne, pimp, jerk…” The unlikely grouping and categorizing of words, phrases and numbers in the new exhibition “They Are Full of Holy Nonsense”  at SF’s Creativity Explored range from the whimsical to the philosophical to the seemingly nonsensical. In fact, decoding the multiple layers of meaning in autistic artist John Patrick McKenzie’s show and understanding his unique, free-association thought process is all part of the fun.

John Patrick Mckenzie likes Cumulus Clouds, 2008

by John Patrick Mckenzie

In my very first article for the SF Chronicle, I was beyond thrilled to learn more about this fascinating artist and how he turns his hand-drawn typography into art. Read my full article on the SAN FRANCISCO CHRONICLE. (and check out the newspaper version below!)


Getting Upper: Graffiti Meets Graphic Design

April 21st, 2011 Comments Off

From the time we’re born until the day we die, the twenty-six letters of the alphabet are completely and totally unavoidable. Thus, one has to wonder—will there ever come a day when seeing our own language drives us all completely batty? Will people in the not-too-distant future be running and screaming down the streets from the frighteningly uninspired, overused curves of an “S” or the descender of a “p”?

From May 15th through September 4th a new show at the Pasadena Museum of California Art, Getting Upper, explores what happens when twenty-six graphic designers are charged with creating twenty-six brand spankin’ newly designed letters of the alphabet.

Read my full article on Print Magazine’s awesome design blog, IMPRINT.

"S" by Jon Sueda

Hardest Workin’ Graphic Designers in the Midwest: Foundry Collective

April 10th, 2011 Comments Off

Downing tequlia shots, ogling over Mila Kunis, and wanting to be the next Mark Zukerberg – just a few of the things on the mind of a twenty-something guy. But the bygone days of the industrial revolution? Probably not on his top-ten list. Yet, for twenty-somethings Paul Wilkes and Scott Hill, the über talented founders of Oklahoma City-based design firm Foundry Collective, both their philosophy and design style are uniquely rooted in the memory of their forefathers – Midwest hardworking Americans who earned their keep toiling in oil fields, farms, and factories during the industrial revolution.

Read my full article on HOW MAGAZINE.

Image Courtesy FOUNDRY COLLECTIVE

Image Courtesy FOUNDRY COLLECTIVE


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